The theory of multiple intelligences
was developed in 1983 by Dr. Howard Gardner, professor of education at
Harvard University. It suggests that the traditional notion of intelligence,
based on I.Q. testing, is far too limited. Instead, Dr. Gardner proposes
eight different intelligences to account for a broader range of human
potential in children and adults. These intelligences are:
Linguistic intelligence ("word smart"):
Logical-mathematical intelligence ("number/reasoning smart")
Spatial intelligence ("picture smart")
Bodily-Kinesthetic intelligence ("body smart")
Musical intelligence ("music smart")
Interpersonal intelligence ("people smart")
Intrapersonal intelligence ("self smart")
Naturalist intelligence ("nature smart")
Dr. Gardner says that our schools and culture
focus most of their attention on linguistic and logical-mathematical intelligence.
We esteem the highly articulate or logical people of our culture. However,
Dr. Gardner says that we should also place equal attention on individuals
who show gifts in the other intelligences: the artists, architects, musicians,
naturalists, designers, dancers, therapists, entrepreneurs, and others
who enrich the world in which we live. Unfortunately, many children who
have these gifts dont receive much reinforcement for them in school.
Many of these kids, in fact, end up being labeled "learning disabled,"
"ADD (attention deficit disorder," or simply underachievers,
when their unique ways of thinking and learning arent addressed
by a heavily linguistic or logical-mathematical classroom. The theory
of multiple intelligences proposes a major transformation in the way our
schools are run. It suggests that teachers be trained to present their
lessons in a wide variety of ways using music, cooperative learning, art
activities, role play, multimedia, field trips, inner reflection, and
much more (see Multiple Intelligences in the Classroom). The good news
is that the theory of multiple intelligences has grabbed the attention
of many educators around the country, and hundreds of schools are currently
using its philosophy to redesign the way it educates children. The bad
new is that there are thousands of schools still out there that teach
in the same old dull way, through dry lectures, and boring worksheets
and textbooks. The challenge is to get this information out to many more
teachers, school administrators, and others who work with children, so
that each child has the opportunity to learn in ways harmonious with their
unique minds (see In Their Own Way).
The theory of multiple intelligences also
has strong implications for adult learning and development. Many adults
find themselves in jobs that do not make optimal use of their most highly
developed intelligences (for example, the highly bodily-kinesthetic individual
who is stuck in a linguistic or logical desk-job when he or she would
be much happier in a job where they could move around, such as a recreational
leader, a forest ranger, or physical therapist). The theory of multiple
intelligences gives adults a whole new way to look at their lives, examining
potentials that they left behind in their childhood (such as a love for
art or drama) but now have the opportunity to develop through courses,
hobbies, or other programs of self-development (see 7 Kinds of Smart).
How to Teach or Learn Anything 8 Different
Ways
One of the most remarkable features of
the theory of multiple intelligences is how it provide eight different
potential pathways to learning. If a teacher is having difficulty reaching
a student in the more traditional linguistic or logical ways of instruction,
the theory of multiple intelligences suggests several other ways in which
the material might be presented to facilitate effective learning. Whether
you are a kindergarten teacher, a graduate school instructor, or an adult
learner seeking better ways of pursuing self-study on any subject of interest,
the same basic guidelines apply. Whatever you are teaching or learning,
see how you might connect it with
words (linguistic intelligence)
numbers or logic (logical-mathematical intelligence)
pictures (spatial intelligence)
music (musical intelligence)
self-reflection (intrapersonal intelligence)
a physical experience (bodily-kinesthetic intelligence)
a social experience (interpersonal intelligence), and/or
an experience in the natural world. (naturalist intelligence)
For example, if youre teaching or
learning about the law of supply and demand in economics, you might read
about it (linguistic), study mathematical formulas that express it (logical-mathematical),
examine a graphic chart that illustrates the principle (spatial), observe
the law in the natural world (naturalist) or in the human world of commerce
(interpersonal); examine the law in terms of your own body [e.g. when
you supply your body with lots of food, the hunger demand goes down; when
there's very little supply, your stomach's demand for food goes way up
and you get hungry] (bodily-kinesthetic and intrapersonal); and/or write
a song (or find an existing song) that demonstrates the law (perhaps Dylan's
"Too Much of Nothing?").
You dont have to teach or learn something
in all eight ways, just see what the possibilities are, and then decide
which particular pathways interest you the most, or seem to be the most
effective teaching or learning tools. The theory of multiple intelligences
is so intriguing because it expands our horizon of available teaching/learning
tools beyond the conventional linguistic and logical methods used in most
schools (e.g. lecture, textbooks, writing assignments, formulas, etc.).
To get started, put the topic of whatever youre interested in teaching
or learning about in the center of a blank sheet of paper, and draw eight
straight lines or "spokes" radiating out from this topic. Label
each line with a different intelligence. Then start brainstorming ideas
for teaching or learning that topic and write down ideas next to each
intelligence (this is a spatial-linguistic approach of brainstorming;
you might want to do this in other ways as well, using a tape-recorder,
having a group brainstorming session, etc.). Have fun!
Multiple Intelligences:
Seven Ways to Approach Curriculum*
I don't remember how I learned to tell
time. So, when I was asked by a Wisconsin school district to develop a
multiple intelligences way of teaching time to a group of lst graders,
I was initially stymied. My thoughts went back to my own teaching experience
as a learning disability specialist. My students' workbooks on telling
time had them drawing in the large and small hands on pictures of clocks.
Bo-ring! If we wanted to get a little more experiential, the special education
office furnished cardboard clock faces. Students were supposed to get
"handson" experience by pushing the little hands around these
faux clocks. Not very inspiring.
Fortunately, I had a new model of leaming--the
theory of multiple intelligences--to help me in my quest. Developed a
little over 10 years ago by Howard Gardner, professor of education at
Harvard University, the theory of multiple intelligences consistently
amazes me with its ability to serve as a template in constructing strategies
for student success.
The intelligences, briefly described,
are:
Linguistic: the intelligence of words.
Logical-mathematical: the intelligence
of numbers and reasoning.
Spatial: the intelligence of pictures
and images.
Musical: the intelligence of tone, rhythm,
and timbre.
Bodily-Kinesthetic: the intelligence
of the whole body and the hands.
Intrapersonal: the intelligence of social
interactions
Intrapersonal: the intelligence of self-knowledge
At times, I almost think of Gardner as an archeologist who has discovered
the Rosetta stone of leaming. One can use this model to teach virtually
anything, from the "schwa" sound to the rain forest and back.
The master code of this leaming style model is simple: for whatever you
wish to teach, link your instructional objective to words, numbers or
logic, pictures, music, the body, social interaction, and/or personal
experience. If you can create activities that combine these intelligences
in unique ways, so much the better!
A Story of Time
When I marched into that classroom in
Wisconsin to teach "time," I had no worksheets or tiny cardboard
clock faces in my briefcase. Instead, I began by telling them a story
about a Land of No Time and how confusing it was for people there (they
were always missing appointments). The King and Queen sent a group of
adventurers in quest of time because it was rumored that a Land of Time
existed beyond the horizon. After many exciting adventures, the group
finally arrived. They knew they'd arrived because there were clocks and
watches everywhere! They met with the King and Queen of Time and were
told to contact a family who lived up on a hill on the outskirts of Times
City; an Irish family named (appropriately enough) the O'Clocks! They
had 12 children. The youngest was named One, the next in age Two, and
so on down the line. And twice a day, each child would climb up onto the
highest point in the land and shout a little rhyme. This is what One O'Clock's
rhyme sounded like:
My name's One O'Clock
I tell time
Listen while I sing
My timely little chime!
BONG!
Well, the adventurers were excited when
they heard and saw this. They convinced the O'Clock family to come to
the Land of No Time and set their home up on the highest point in the
kingdom. Now everyone in the land had a reference point, for all they
had to do was look up and hear one of the kids sing a timely little chime."
After hearing this story, students got
up one at a time and stood in front of a huge handless plywood clock face
five feet high and acted out the role of one of the O'Clocks. At this
point I mentioned that each of the O'Clock children had one huge hand
and one tiny hand. So with my assistance, each child made a different
time with his or back to the clock and "hands" pointing to the
appropriate numbers while they sang their special rhyme. After we all
gathered around a circle, I told them that the Land of Time (as it was
now called) celebrated the O'Clocks' arrival by having special "clock
dance" every year. Twelve students sat in an inner circle, each one
holding up a number from 1 to 12, while students got inside the circle
and created a time of day using their hands and/or feet. Everyone danced
around the clock to the tune of Bill Haley's "Rock Around the Clock."
Then students went to their desks to write stories of the tale illustrated
by clock faces showing different times. After they were finished, they
returned to the circle and shared their pictures and words.
All of this took about an hour and a half.
During this time, students used their whole bodies, their musical voices,
their logical (number counting) minds, their artistic selves, their cooperative
spirit, and their own linguistic and personal intelligences to create
images of telling time. The possibilities for extending this brief lesson
into a more extensive curriculum was positively mindboggling. Students
could put on a play of the story (interpersonal/bodily-kinesthetic), invent
their own special time pieces (bodily-kinesthetic/ spatial), make up their
own time songs or raps (musical/linguistic), keep a personal journal of
special times in their day (intrapersonal/linguistic), and explore other
ways of telling time historically or cross culturally. This kind of approach
to the curriculum begins to make worksheets with clock faces sound like
educational malpractice!
A Blueprint for the Future
Of course, some educators may think that
this learning philosophy works fine with younger kids but that when students
reach middle or high school age, they need to put these frills aside and
get serious about learning. Unfortunately, this narrow perception of learning
helps contribute to the alienation of adolescents. Children do not leave
their multiple intelligences behind once they reach puberty. If anything,
the intelligence become even more intense (especially bodily-kinesthetic
and the personal intelligences).
Consequently, students should be learning
their algebra, ancient history, government, chemistry, literature, and
more through multiple intelligences. In algebra, students should be talking
about the unknowns (the "x's") in their own lives. In chemistry,
they should be learning Boyle's law by puffing some air into their mouths
(gas in a chamber) and then seeing the pressure go up when they put all
the air into one side, where it occupies a smaller volume (Boyle's law:
volume is inversely proportional to pressure). They should be role-playing
literature. They should be interviewing, surveying, building, dramatizing,
rapping, cooperating, computing, problem solving, sketching, and learning
in a thousand other ways. Why? Because these are the activities that go
on in the real world. If we could travel the world and look at the many
ways in which different cultures show their capabilities, we'd probably
observe thousands of different intelligences. The theory of multiple intelligences
makes things a little simpler for us. By chunking the broad range of human
abilities into seven basic intelligences, we now have a map for making
sense out of the many ways in which children learn, and a blueprint for
ensuring their success in school and in life.
When Planning a Lesson, Ask the Right Questions!
Certain questions help me look at the possibilities
for involving as many intelligences as possible:
Linguistic: How can I use the spoken
or written word?
Logical-Mathematical: How can I bring
in numbers, calculations, logic, classifications, or critical thinking?
Spatial: How can I use visual aids, visualization,
color, art, metaphor, or visual organizers?
Musical: How can I bring in music or
environmental sounds, or set key points in a rhythm or melody?
Bodily-Kinesthetic: How can I involve
the whole body, or hands-on experiences?
Interpersonal: How can I engage students
in peer or cross-age sharing, cooperative learning or large-group simulation?
Intrapersonal: How can I evoke personal
feelings or memories, or give students choices?
You won't always find ways of including
every intelligence in your curriculum plans. But if this model helps you
reach into one or two intelligences that you might not otherwise have
tapped, then it has served
its purpose very well indeed!
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*(first published in Educational Leadership, November, 1994)
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